Piae Cantiones, published in 1582, is a collection of late medieval sacred and secular songs begging to be given performance, either as written, or perhaps in new settings. Three sacred tunes in
"Joyful" is the best term to describe this animated woodwind quintet arrangement. All five parts are exciting to play, with prominent flute and horn parts. This work is an accessible and fresh take on the
In 1609, Michael Praetorius harmonized the version of Lo, How a Rose E'er Blooming with which most of us are familiar. His contemporary, Melchior Vulpius, created a four-voice canon on the same
Three familiar carols: O Little Town of Bethlehem (two versions, notated back-to-back); Personent Hodie (On This Day, Earth Shall Ring); and Sing We Now of Christmas (Noel
Four familiar carols and hymns: Good King Wenceslas; Il Est Ne (He is Born); Angels We Have Heard on High and Hark! The Herald Angels Sing for two trumpets, horn in F, trombone,
Works for English horn and organ are rare, yet the combination is well suited to share this early-American pentatonic tune by Lowell Mason. Occasional unique harmonies are mixed into this calming and
Perhaps the most beautiful of Johann Sebastian Bach's melodies, Come, Sweet Death has been transcribed for band reflecting performance interpretations created by conductor/orchestrator Leopold
Perhaps the most beautiful of Johann Sebastian Bach's melodies, Come, Sweet Death has been transcribed for clarinet quartet reflecting performance interpretations created by organist, Virgil Fox,
Perhaps the most beautiful of Johann Sebastian Bach's melodies, Come, Sweet Death has been transcribed for clarinet choir reflecting performance interpretations created by organist, Virgil Fox, and
Away in a Manger is found in several unique musical settings. Among them, three are utilized in this medley: Cradle Song, Old Normandy Carol, and Mueller. Old
Taken from Piae Cantiones (1582), Divinum Mysterium is the name of the medieval chant melody which accompanies the hymn Of the Father's Love Begotten. Piae Cantiones is a
Forest Green was a folksong collected by the eminent composer, Ralph Vaughan Williams, in 1903. It was quickly incorporated into the English Hymnal as accompaniment for O Little Town of
Do not let the slow start to this piece deceive you! Containing many contrasting sections, this work is a medley of O Come, O Come, Emmanuel (Veni Emmanuel); Of the Father's Love Begotten
This is an abridged transcription of the Gloria from John Taverner's 1530 mass, "Western Wynde (Wind)," for flexible brass quartet. Parts are provided for two trumpets (the second is a duplicate of the F
In Dulco Jubilo translates into English as "In Sweet Rejoicing." This arrangement takes instruction not only from its title, but the folklore story of its creation as well. The tune is attributed
The Holst setting of Christina Rossetti's poem In the Bleak Midwinter is the basis for this moody work for clarinet and piano, largely inspired by the poem's first verse that speaks of the cold
Arranged for large brass ensemble (three B-flat trumpets, two F Horns, three trombones, and tuba), this work has been converted from primarily duple to a mixture of triple and quadruple meters to eliminate
This delightful and musically sensitive arrangement of one of the oldest and most familiar Christmas carols is a welcome addition to the clarinet repertoire. Suitable to play in both concert and church
A late medieval Christmas carol first published in 1582 as a single-line melody with Latin text. This arrangement for brass sextet and organ is animated and exciting, suggestive of the tintinnabulation of
The melody of Beach Spring is pentatonic, as were many tunes of the shaped-note tradition. It was composed by Benjamin Franklin White who, starting in 1844, produced several editions of The
Add something special to any Lenten/Easter Service with this Clarinet Solo arrangement of Ride On, King Jesus. The solo part and piano accompaniment have been improved from an 1872 version of this